Perlstein-- a motion picture, tv, and music industry stills photographer at the time--adopted stereography as his primary fine art expression. His award-winning landscape, aerial, portrait, and wildlife work is well known throughout the 3-D community and is best known for having produced and shot the Morro Bay National Estuary Stereo Photo Survey and Discover The Estuary in 3-D, an environmental public outreach and education exhibit. Perlstein founded the 3DIFE to showcase the visionary talents of long-overlooked underground 3-D film makers everywhere.
Abe Perlstein is a California Central Coast-based videographer photographer developing 3-D applications for features, home video, education, advertising, promotions, entertainment, and fine art. Following a 1991 visit to a Stereo Club of Southern California meeting,
Sara Mora Ivicevich is the Supervising Producer of the 3-D Indie Film Expo at the Paso Robles Film Festival. She is a skilled producer, director and editor for several areas in the entertainment industry including Film, TV, Music, New Media and 3-D Photography & Production. Sara has worked with the Founder of the Paso Robles Digital Film Festival, Benford Standley for over 5 years on multimedia projects that encompass music, film and the digital revolution. Sara is currently heading MediArt Productions, a company 100% dedicated to 3-D events and production.
Shannon Benna is a multi media producer specializing in spectacle entertainment and stylized visions. As a 10-year veteran of the LA film industry she has participated in many of the individual movements of the digital film revolution leading up to the renaissance of 3-D. While heading up many of her own creative projects under the banner of MoonlightDrive, she has consulted for a variety of companies, including niche marketing and online video delivery ventures. Her unique product outlook conjoins fantasy and commercial elements to create a hyper-reality, appealing to the old and young alike. Currently she is VP of MediArt Productions, an all 3-D Events company.
John Hart saw his first stereocard in 1946 and has been fascinated by 3-D ever since--particularly 3-D movies. He experimented with Bolex and Elgeet 3-D in the 1950s and put together twinned regular 8 cameras and projectors in the 1960s, followed by Super 8 rigs and now video. He helped begin the SCSC 3-D Movie/Video Division in 1982 and has served as its chairman ever since. The Movie Division is currently sponsoring its sixth international 3-D Competition.
Eric Kurland, producer, writer/director of 3-D movies is currently Vice President of the Stereo Club of Southern California and the producer of a mobile drive-in theater event held regularly in Los Angeles. Eric is familiar with all of the current desktop solutions for projection of stereoscopic motion pictures and is the author of "Homebrew Digital 3-D Movies" in the May 2008 issue of "Make: Technology on Your Time."
Paul Taylor has been part of the motion picture and television industry for 25 years. He works out of Los Angeles and has contributed Steadicam shots to motion pictures such as Adaptation, That Thing You Do, Virtuosity, and Being John Malkovich. Television shows include House, NYPD Blue, Star Trek The Next Generation, Cold Case, and Nip/Tuck. Music videos include Bjork, Macy Gray, Keith Urban, Rihanna, and The Red Hot Chili Peppers.
an expert 3d stereoscopic consultant and a digital image acquisition specialist including shooting and workflow for the new Red One digital camera.
Our team is comprised of filmmakers, photographers, technicians and artists, all committed to one common goal of exposing the beauty and capabilities of modern 3-D to all corners of the arts and media worlds. As the facilitators of the 3-D Expo, we envisioned a day of exciting events designed to bring together industry leaders, visionaries and enthusiasts of this growing market. We aim to create an event committed to the advancement of the underground 3-D movement in an environment dedicated to sharing visions, networking and fueling the creative spirit of technological innovation. By directing the focus onto the emerging home theater and Do It Yourself stereoscopic production, we are promoting 3-D to the masses.
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